هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Lolita    

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of
the tongue taking a trip of three steps down the palate to tap, at three, on the teeth.
Lo. Lee. Ta.
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was
Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in
my arms she was always Lolita.
Did she have a precursor? She did, indeed she did. In point of fact, there
might have been no Lolita at all had I not loved, one summer, a certain initial
girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for
a fancy prose style.
Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.
I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of
racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of
the Danube in his veins. I am going to pass around in a minute some lovely, glossyblue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two
grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjects — paleopedology and Aeolian harps, respectively. My 
very photogenic mother died in a freak accident (picnic, lightning) when I was three,
and, save for a pocket of warmth in the darkest past, nothing of her subsists within
the hollows and dells of memory, over which, if you can still stand my style (I am
writing under observation), the sun of my infancy had set: surely, you all know those
redolent remnants of day suspended, with the midges, about some hedge in bloom or
suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer
dusk; a furry warmth, golden midges.
 

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